Filmmaking and Photography Site
I’ve spent a few weeks analysing film stocks of Kodachrome 64 and decided to bring my emulation to Lumix users. Matched to the tones of yore using a modern digital camera such as the Lumix S5II I wanted to see how the classic film stock responded to colour and identifying what is unique and what...
Here’s a group of V-Log .tiff still files created from video recordings in the Lumix S5II camera for you to try out your colour grading skills. Simply place them on your time line and use whatever method you choose to grade V-Log V-Gamut. Some people like a timeline of Davinci Wide Gamut Intermediate, some prefer...
When you use Davinci Resolve as your colorist NLE and Log to Rec709, be wary of using it’s CST applied to a node using the DR effects menu (and probably in Davinci Color Management too) and how it deals with V-Log footage. Here’s some graphs to show you what goes on in the color contrast...
A few new additions here for FREE. The complete pack of 33 & 65 size Cinefilm LUTs 1 to 4 plus WDR and Linny LUT recreations for V-Log / Realtime Luts on the S5II. If you’re grading on NLE please grade behind these luts on another node in Davinci Resolve or earlier part of your...
Here’s a V-Log V-Gamut mixed & adjusted interpretation of the classic Arri Alexa Mini LF/Mini Arri Wide Gamut / Arri Log C3 to Rec709 LUT. THIS IS A CORRECTIVE COLOR LUT NOT A LOOK OR GRADE! The full Dope709 LUT Pack includes Rec709 65 size (for NLE Grading). & 33 size (for camera, plus -1...
A FREE Orange and Teal filmic look LUT created for V-Log to Rec709, to sRGB & to Adobe RGB. The following zip offers you a number of different stop settings too. You can use this LUT to burn in the look to your jpg photos using Real Time LUT on the LUMIX S5II/X camera or...
LUMIX / L-Mount Related Update Links [qcopd-directory mode=”one” list_id=”13328″ style=”simple” item_orderby=”menu_order” column=”1″ enable_embedding=”false” title_font_size=”” subtitle_font_size=”” title_line_height=”” subtitle_line_height=””]
I’ve developed some Lumix V-Log V-Gamut to a more Canon Rec709 look as a lot of people have been commenting over the years that they’ve found it hard to match Lumix cameras with V-Log to Canon cameras. Using the popular Canon Cinema Gamut and Canon Log3, I’ve adjusted the colour science of V-Log primaries keeping...
I’m currently analysing the LUMIX S5II new sensor colour science and wanted to get your reaction on a few test LUTs with V-Log. There is an obvious lean towards Magenta in V-Log so in order to achieve better looking skin tones I have created a few test LUTs from my base S5II Technical Colour LUT....
Here’s some free False Colour LUTs for your LUMIX (V-Log) Camera. On the S5II I suggest you use the REAL TIME LUT to quickly switch to this False Colour LUT, loading them up via the LUT Library function. I’ve also added a Arri style False Colour and Atomos style False Colour LUT inside the zip....